Beyond expanding the classical music repertoire that was available for performance and study, Patterson was also invested in creating opportunities and spaces for BIPOC (Black, Indigenous, and People of Color) artists and scholars at the University of Michigan. He platformed BIPOC artists and scholars primarily through the King/Chavez/Parks (KCP) Visiting Professorship program and through his efforts to host the 1985 Black American Music Symposium, a conference that brought together Black scholars, composers, and artists to network and discuss Black classical music. Arguably, his work with students also constituted BIPOC platforming—see the Supporting Students collection for further materials.
DISCUSSION QUESTIONS:
What difficulties arose for Patterson as he worked to create more opportunities and events for BIPOC artists and scholars? Would the same difficulties be faced today?
What are the benefits to addressing racial justice and equity by focusing on platform creation (as opposed to focusing primarily on repertoire expansion, direct reparations, or other such efforts)?
Patterson writes to Interim President Fleming, Vice-President Johnson, Associate Vice-President Swain, Provost Duderstady, Vice-Provost Moody, Dean Boylan, and Dean John D'Arms to report about the expenditures for the April 3, 1988 MLK Memoriam Concert, and to request that funds be made available for the concert to become an annual event. The budget sheet for the 1988 concert is enclosed.
This memorandum mostly concerns ways to use minority alums and state legislature requests to increase minority student recruitment and retention at the School of Music, or, "our efforts to locate quality black students who might be attracted to come here."
A note of thanks for a recent performance of Hailstork's piece "American Guernica" by Reynolds and his "outstanding ensemble" from the School of Music Band program. The letter appears to have been forwarded to Willis Patterson by Reynolds based on the handwritten note added at the bottom.
This flyer advertises Leon Bates' residency at the University of Michigan School of Music from March 28–April 1, 1988. The advertised events include a master class, meeting with Minority Music, Dance & Theater students, guest recital, DMA seminar, and piano literature class.
Patterson requests assistance in securing funding from the KCP program for Josephine Love to teach "The Music of Black Americans" while Rae Linda Brown is on a post-doctoral fellowship. The following enclosure are attached to the memorandum:
Memorandum from Willis Patterson to Charles Moody regarding Supplement to the School of Music MLK/Chávez/Parks Visiting Professor Program, 1988-89, dated September 2, 1988. This is Patterson's initial funding request.
Memorandum from Linda Largin to Willis Patterson regarding Nomination of Josephine Love as a King/Chávez/Parks Visiting Professor, dated September 22, 1988. This is the program's request for additional information.
Proposals for 1988–89 KCP visiting professors, including David Baker, Charlotte Heth, Undine Smith Moore, Hale Smith, and Andre DeShields. This file is incomplete as only the first two pages of the memorandum are present, and it is abruptly cut off at the end.
It is unclear whether or not this memorandum was sent—it is unitialed and undated. It discusses funding shifts and potential KCP visiting professors that align with the 1989–90 KCP discussions in other materials.
This memorandum primarily discusses some changes to the KCP visiting professorship funding, as well as possible nominees for 1989–90. It also provides some insight into the wide range of other simultaneous projects that Patterson was working on.
Letter clarifying complications resulting from the School of Music's attempt to switch out a previously approved KCP visiting professor, Nina Kennedy, for a different artist, T.J. Anderson.
Announcement about Josephine Love's upcoming residency as a KCP visiting professor and a concert marking the twentieth anniversary of Dr. Martin Luther King, Jr.'s death.
A request to transfer funds to provide reimbursements for KCP visiting professors, including Fransisco Rivera-Batiz, Hazel Carby & Henry Gates, Pearl Primus & Onwin Borde, Andre DeShields, Undine Smith Moore, and Al Young.
An update about Leontyne Price's lack of availability. Patterson suggests inviting Adolphus Hailstork, Eileen Southern, Samuel Floyd, and/or Leon Bates.
Acknowledges recent funding request to the King-Parks Coordinating Committee in support of a Frederick Douglass oratorio, and requests a budget for a visit from Adolphus Hailstork during Black History month for the oratorio's performance.
Contains the School of Music's final nominations for the next KCP visiting professorships—Adolphus Hailstork, Leon Bates, and Josephine Harreld Love—with their biographies and a projected budget.
This letter inquires about Leontyne Price's potential availability for a two week visiting professorship. General George Price is potentially Leontyne Price's brother or uncle.